Gratitude

The flame is born to shine,
But can only shape to a rhyme,
When a breeze chooses to chime.

The earth is bound to hold,
But whether that is grain or gold,
Plots the potter when it is mold.

The flying fragrance of the flower,
Follows the hand that plucks forever,
Destined to where it’s smell shall shower.

So, to those who rid you of platitude,
For your fame, fortune, and fortitude,
For them, spare a thought of gratitude.

Gratitude is called kataññutā in Pali. The word consists of two parts: kata, which means that which has been done, especially to oneself; and annuta means knowing or recognizing. So katannuta means knowing and recognizing what has been done to one for one’s benefit.

You and Me

You and me
We fight so hard
Every word
Like a flying shard

You and me
And days of yonder
How far we’ve come
Do you remember?

You and me
Why do the eyes weep?
In our arms
When we now seep

You and me
In a gaze deep
The hugs last long
We fail to sleep

You and me
A future we wrote
But somewhere along
We forgot to dote

You and me
What rocked our boat?
Love slowly sinks
Hope falters to float

The Green Light on the Dock

I wonder from where
Could I gather such fare
To take me from this rock
Over the bay to that dock
Where shines that light
Bright green all night.

“Shall I embrace the waves?”
My yearning heart craves
Or a breeze shall I become
To fly to the only one
Where shines that light
Bright green all night.

Memories have not faded
A little, in years jaded
But for courage I strive
A little, for me to arrive
Where shines that light
Bright green all night.

I throw the alms I own
And the fame I have sown
For a sight with your eyes
So I can cease my sighs
Where shines that light
Bright green all night.

This poem is inspired by the character of Gatsby from the 1925 novel written by American author F. Scott Fitzgerald titled “The Great Gatsby”. The green light is an electric lamp at the end of Daisy and Tom Buchanan’s boat dock.  Because the Buchanans’ mansion is direct across the bay from Gatsby’s mansion, Gatsby can always see the green light. In the first part of the novel, the green light represents a symbol of hope for Gatsby. He stares at it obsessively while dreaming to recover the lost love of Daisy.

Vipassanā (विपश्यन)

The wings of the hummingbird
The swing of the warrior’s sword
The water from the tallest fall
The force of advancing gall
When it reacts at everything small
The mind hops faster than all.

But instead when the mind makes
A choice to only observe the stakes
The agitation, the angst, the anger
The commotion, and the will to meander
None but inner peace it brings forth
For a needle that always points North.



Vipassana, which means to see things as they really are, is one of India’s most ancient techniques of meditation. It was rediscovered by Gautama Buddha more than 2500 years ago. Vipassana is a way of self-transformation through self-observation. It focuses on the deep interconnection between mind and body, which can be experienced directly by disciplined attention to the physical sensations that form the life of the body, and that continuously interconnect and condition the life of the mind. It is this observation-based, self-exploratory journey to the common root of mind and body that dissolves mental impurity, resulting in a balanced mind full of love and compassion.

Reference: http://www.dhamma.org/en-US/about/vipassana

The “Distorted” World

The one unwilling to undress the mind
From years of nurture and experiences
To treat each argument on its merits
But be biased by memories of one’s kind
Will be the one who believes
The world is damaged and distorted
When on a rainy day through glass minted
The outside scenery that mind sees.

यथा दृष्टि, तथा सृष्टि – Yatha Drishti, Tatha Srishti. Dristhi is vision, srishti is the universe. The Sanskrit proverb implies “as you see the world, that is how the world is for you.”

When a Branch Turns Into a Root

When a branch turns into a root
Backward walks nature’s foot
Like when with a chisel and a stone
Man creates a God of his own.

Old banyan trees often adorn campuses around Hindu temples in India with their characteristic aerial roots forming new trunks indistinguishable from the primary trunk.

सर्वं खल्विदं ब्रह्म – All this universe is Brahman (Chandogya Upanishad III.14.1). The Vedas depict Brahman as the Ultimate Reality. It is the impersonal and immanent, infinite cause and support of the universe that has no form or attributes.

Just Keep Ploughing

I marvel why this city,
Gets a bad rap for its traffic,
Dare I say towns need to copy,
A model that is this terrific,
If you underestimate our ability,
Let me be more specific.

We put to good use when we drive,
All directions a compass can strive,
As others dearly to their lives hold,
Evolution has given them a new mold,
An owl-like eyesight for us homo sapiens,
Even Darwin dreamt not of such allegiance.

And don’t tell you have not heard,
What the great Einstein had discovered,
When with the mere existence of matter,
The continuum of space-time can shatter,
The width of the lanes then why be fixed?
Forward and backward we all move mixed.

And just ask us how we prepare,
The next generation to take the gear,
When we infuse a sense of ownership,
As well as proactiveness and stewardship,
By annexing the right of way,
On a red light when no one wants a say.

Finally, on a well-lit street at night,
You ask why I drive with a beam bright?
My countrymen suffer a small inconvenience,
But Bengaluru outshines Boston by my lenience,
See Google Earth at night for this activism,
Beam it, it’s a proof of your patriotism!

Bengaluru’s traffic-choked roads are seeing an addition of roughly half-million vehicles each financial year, with the total number of vehicles in Bengaluru breaching the 6 million mark in 2016.

Baji

On a dark night with skies gloomy
With none but silence for company
The name of Ghodkhind1 then I held
When this legend long ago had swelled.

The siege of Panhala2 was pierced
Breaking the fatal grip fierce
With the mavalas3 who have no fears
Arrives Shiva who alone wind tears.

To trample the freedom of the land
Summoned by the Shah’s4 wishes grand
Chases him with malice to strand
An army that Masud Siddi manned.

To see the light of the day
Strong swords behind need to stay
To slow the enemy along the way
Shiva chose his men for a foray.

To steal victory from those with vice
To crush vultures in the precipice
Stood a general against the nemesis
to shield a young nation’s genesis.

Shiva rides away with a heart heavy
To conquer a fort towards safety
Outnumbered with only a few handy
Positions Baji his men deftly.

The savages slide in waves of three
Each time they had to take a knee
With every shadow and every body
Battles brawny blood-stained Baji.

The Mavalas swing swords with one goal
For Shiva’s sake not to lose any control
They arose such that no shadow nor soul
Could breakthrough them to make a hole.

The chase by now has come to a stall
As Siddi prays for the leader’s fall
But with every cut Baji fights tall
Paying no heed to the reaper’s call.

The worn and weary warrior somehow
Clings to his life to fulfill his vow
Until in the air the cannon shots5 plow
Then lets go all that he held until now.

The lore of this night with all the din
I sing it to every wanderer and wind
When one man alone had scores pinned
And transformed me into a Pavankhind6.

(Read the Marathi version here)

1 Ghodkhind (Horse’s Pass) is an extremely narrow pass where only a few soldiers can pass at a time.

2 In early March 1660, Panhala came under seige of Bijapuri forces led by Siddi Jauhar. Shivaji expected that the onset of the rains would slacken the siege. But when that did not happen, Shivaji, along with the Baji Prabhu Deshpande and few hundred soldiers, escaped from Panhala towards Vishalgad.

3 The western belt of the Puna district, running along the Western Ghats for a length of 90 miles and a breadth of 12 to 24 miles, is known as Maval or the Sunset Land. From this region Shivaji drew his best soldiers, his earliest comrades, and his most devoted followers.

4 The Adilshahis were the dynasty which ruled Bijapur for many centuries. The ruler at the time was Ali Adil Shah II. Shivaji had inflicted embarrassing defeats upon the Adilshahis, and they were determined to crush him.

5 The gun-fire from Vishalgad, Shivaji’s destination fort, gave the anxiously expected signal that he had reached safety within its walls.

6 Ghodkhind was subsequently named Pavankhind (“Holy Pass”) in honor of the sacrifice of Baji Prabhu and his troops.

References:

Shivaji and His Times, Jadunath Sarkar (1920) (Available for download here)

The Siege of Panhala, 1660

Shivaji, Baji Prabhu & the Battle of Pavan Khind

A Birthday Rhyme

In the world of imagination,
there lies a place much sought.
Where the dreams are nurtured and bred,
and for sale are brought.
Where courage and mettle is the price,
to fetch a dream of your own choice.
There lies a humble thought,
“To trod a path that many have not,
to scale the sky and to always fly,
to quest for and to always aim high.”
On your birthday, promise,
for this dream, you’ll always seek,
and never let your spirits weak,
until success kisses your cheeks.

Advaita

I am the tallest peak,
That the clouds drench.
Beneath the oceans,
I am the deepest trench.

I am the water,
Filling the verdant fields.
Over the desert,
I am the land with no yield.

I am the fighting flame,
against a stormy night.
Of the burning sun,
I am the might.

I am the endless still space,
Where light has no wing.
Of the millions in a grain,
I am the unsteady string.

I am the indivisible,
In all things tiny and tall1.
Across infinite lives,
I am the conscious that ties all2.

I am only a void,
To an uninformed thought.
For the exalted,
I am the seeker and the Sought3.

1 Brahman – the indivisible changeless reality underneath all things physical that are in a constant process of change

2 Atman – the core consciousness experienced in deep meditation when withdrawn from the body and mind

3 तत्त त्वम असि (“Thou art that”) originally appears in the Chandogya Upanishad. It implies Atman and Brahman are one and the same. They are Advaita (“not two”).